Songs Of Innocence. Chart U2's earliest influences from 70s rock and punk to early 80s electronica. I will be in tears when I hear EVERY BREAKING WAVE live. U2 Discography Entry: Live for Ireland Album - Various. Released in 1987, this album featured U2 contributing a live version of Maggie's Farm. U2 Discography entry.

When it comes to the appreciation of disco, North Americans and Europeans are oceans apart. Generally, Europeans consider dance music viable and progressive. However, ask North Americans about disco and often you'll be given the brusque response: 'It sucks!' But if those same North Americans are also fans of U2, they'll be in for a rude awakening when the band's new album, Pop, is released on March 4. Seems like Bono and the boys have been soaking up the sounds of club culture in the four years since their last album, Zooropa. And Pop, though not a full-blown disco album, shows techno and industrial influences to varying degrees throughout its 12 tracks.

British Standard Bs 1363 Chrome. Of course, U2 flirted with dance music on Zooropa and 1991's Achtung Baby, but this time the experiments are bolder and sexier. Pop's first single and opening track 'Discotheque' is a close cousin of 'The Fly,' yet the latter sounds anemic compared to the booming rhythms, buzzing guitars and dense arrangement of the former. 'Discotheque' may be a studio-crafted concoction but, ironically, U2 has rarely sounded so loose and so free.

The next two tracks maintain the momentum. 'Do You Feel Love' is carried by an in-your-face bass line that closely follows New Order's 'Melody for Confusion'; and 'Mofo,' with its machine-gun-like blasts of electronic bass, is an all-out techno track that's unrecognizable as U2 until Bono starts to sing. It is, undoubtedly, Pop's boldest stroke.

After 'Mofo,' U2 retreats a bit. Pop's middle three songs ('Staring at the Sun,' 'Last Night on Earth' and 'Gone') still shuffle along to accentuated, syncopated rhythms, but they remain standard U2 rock tracks -- albeit fine, ingratiatingly tuneful rock tracks. The tempo slows for the album's second half, with the electronically treated instruments painting ambient landscapes -- in fact, 'If You Wear That Velvet Dress' even brings back the ethereal, ringing guitar style that earmarked U2's work on The Unforgettable Fire. So, Pop isn't the band's most daring and adventurous album -- Zooropa maintains that title -- but it is deceptively substantial. On the surface, U2 is aligning itself with the hedonism and moral ambiguity of dance culture, specifically Britain's Ecstacy-fuelled rave scene -- but only to point out how disconnected society has become to notions of God and faith.

Antagonists In The Church Pdfdownload Free Software Programs Online more. In 'The Playboy Mansion,' Bono plays the part of the Modern Thrill-seeking Man (or Woman) by making the gates of Hugh Hefner's palace of pleasure sound like the Pearly Gates. Pop culture, Bono suggests, has become our new object of worship; the pursuit of thrills and overstimulation our new religion. And what has become of the mysticism that's been in U2's music from Day 1?